
Tuesday, November 20, 2007

Sunday, November 18, 2007
ARCHIVE
Monday, October 15, 2007
Apartment ~ News
Apartment is awaiting news on funding to inform visitors to our blog of forthcoming exhibitions. Berlin based artist Nikola Irmer is the next confirmed show, details will follow soon. Lamport Court where Apartment is based continues to be a centre of various cultural activity. LoneLady (above) continues to create electrifying music on the seventh floor, and has just released a vinyl; ‘Early the haste comes’ is available in all good outlets, for more information on LoneLady visit Lamport Court based independent record label Filthy Home Recordings. Lamport Court poetry magazine continues to support new writing. Paul Harfleet is about to feature his Pansy Project at the Homotopia Festival in Liverpool. Hilary Jack is currently exhibiting at CUBE in Manchester and is preparing a show for Transition Gallery in London. This is not to mention the other bands, artists, DJ’s and musicians based in this unlikely artistic hub.

Labels:
Apartment News,
Hilary Jack,
LoneLady,
Paul Harfleet
Wednesday, September 12, 2007
Radio Appearance!...
Paul Harfleet (Co-Director) and E.P.Niblock (writer in residence) will be appearing on BBC Radio Manchester Thursday 13th September just after 10pm. Tune in to listen to the latest news form Apartment and hear some of Euphemia's explorations at Apartment so far.
Saturday, August 18, 2007
Source Article

Thursday, July 26, 2007
Apartment News!

Saturday, June 2, 2007
Meeting Point - Axel Lapp Projects, Berlin

Twice a year Axel Lapp Projects invites and showcases the work of artist-run spaces based outside Berlin in a programme entitled INTERLUDE. For the first of this programme Axel Lapp has selected Apartment, a project and exhibition space, run from a sixth floor one bedroom council flat in central Manchester, UK, co-directed by Hilary Jack and Paul Harfleet. For INTERLUDE 1, Hilary Jack and Paul Harfleet have brought together the work of ten artists from Manchester, Budapest, London and Glasgow in a show entitled ‘Meeting Point’. The work offers an insight into the breadth of activity that Apartment has facilitated over the last three years and reflects Lapp’s own interest and commitment to this Manchester based exhibition space.

Above; visitors to the preview,
Apartment is based in a flat, and unlike many artist led spaces that operate in this way, the curators choose to present the work alongside the possessions that Paul Harfleet lives amongst. This curatorial decision enables the artwork to position itself in contrast to the objects or to hide within them, camouflaged by the everyday detritus. Each artist presented here, at Axel Lapp Projects, has exhibited at Apartment and has dealt with this reality in a variety of interesting ways.
When artwork is shown at Apartment the interior of the flat frames the work. At Axel Lapp Projects, Apartment itself is an absent participant, no longer available as a supporting framework for the presentation of the art work. Therefore the works are able to be re-seen without the context of Apartment, revealing to the curators, the complex relationships that have been formed between the artists and their practices over the three years that Apartment has existed. For the audience the various works are seen within the gallery context and with the knowledge that these relationships were forged in a domestic location; here the artists come together creating a meeting point where the work can be seen in a group show and in a totally new context.
When artwork is shown at Apartment the interior of the flat frames the work. At Axel Lapp Projects, Apartment itself is an absent participant, no longer available as a supporting framework for the presentation of the art work. Therefore the works are able to be re-seen without the context of Apartment, revealing to the curators, the complex relationships that have been formed between the artists and their practices over the three years that Apartment has existed. For the audience the various works are seen within the gallery context and with the knowledge that these relationships were forged in a domestic location; here the artists come together creating a meeting point where the work can be seen in a group show and in a totally new context.
Friday, June 1, 2007
David Gledhill

Paul Harfleet

“Heh! Queer Boy!” - 200 signed posters.
Hilary Jack


‘Glove’ - found glove and knitting
Naomi Kashiwagi

‘Araichment’, - found objects.
Martine Myrup


‘Robin’ - animation on laptop, and ‘Act 3’ – cut black and white photograph.
Lisa Penny

‘The Passengers’ - collaged found images
Maeve Rendle

‘Notch’ – 6” x 4” photographs
Cherry Tenneson


'Door Slider’ - door mounted sign
Beáta Veszely


David Wilkinson


Thursday, May 31, 2007
Sunday, March 18, 2007
Maeve Rendle / Mount Purgatory

The work is concerned with the nature of artistic practice, and of the domestic artist run space. It looks at how the artist run space and the art on display act with and against each other to produce a rich and varied dialogue.

The artist gives herself the challenge of completing a task. The process of under taking this task creates a fresh environment in which to think. It is in this thinking environment that the work begins to emerge to the artist. It is as though the work has its own intrinsic life and it becomes the artist’s job to uncover that life, to reveal that work of art, rather than to enable a pre conceived idea to be made real. In this respect the artist responds directly to her immediate physical environment using the materials and tools with which it provides her.
The first step was to remove every object, shelf, utensil, item of furniture etc from its original position within Apartment and place it in the living room. Taking the living room to be the main space of the ‘Gallery’, all the contents of Apartment were placed together to create a new surface with which the artist could work. The artist explores the thinking process and relationship that develops between the artist and the work, before during and after the work is made.

The final work presented for exhibition is a sequence of photographs taken over the period of time the artist was in residence. The photographs record the contents gathering in the living room; amidst the contents there is a growing pile of newspapers. The artist’s movements are traced through the viewfinder of the camera, and her presence is recorded only through a sentence repeatedly highlighted in every newspaper, ‘this morning there was no new idea’.
The process of finding the work from within the contents of Apartment correlates to finding words within existing newsprint accessible to all. Being able to find the same words each day in every newspaper, demonstrates that nothing is finite; similarly the work with the contents of Apartment will not come to an end but can be repeated with an ever-changing shape. Thus the present work of art is it’s demonstration of the potential for the work to change and morph into a new work, and that work into another work and so on.

The Installation of the photographs
special open weekend
Friday 9th March - Sunday 11th March
for further information and enquiries
Friday, March 9, 2007
Mount Purgatory - Preview


Wednesday, January 31, 2007
News!
Apartment is mentioned in an article written by Lucinda Adam on the 24 hour museum website, it's been up for ages we've only just noticed, follow this link to see the article exploring the new artist led spaces across the country.
There is also a review of the current show on the AN website in the reviews unetided section, follow this link to see more. It's always great to get some critical input to the space!
There is also a review of the current show on the AN website in the reviews unetided section, follow this link to see more. It's always great to get some critical input to the space!
Willy Mason / House Concert Tour
Apartment was delighted to host a special acoustic gig by Willy Mason as part of his House Concert Tour. What a lovely evening it was, a huge thank you to all of the people that were able to come; you were a wonderful audience and a massive thanks to Willy Mason. What a joy he was! This was the second gig we've hosted at Apartment; LoneLady played last year; that too was great. There is something quite magical about these intimate small scale gigs, we might do another soon so keep an eye on the blog for information.
Below an image of the gig which better captures the atmosphere

Thursday, January 25, 2007
Martine Myrup / Domestic Disturbances
Martine Myrup's Domestic Disturbances is the current show and will be open til early March, to view the exhibition e-mail or call to arrange an appointment; contact details below.
Above - milk spill in the shape of Antarctica in the kitchen - Untitled

Apartment is delighted to present Martine Myrup’s Domestic Disturbances; Martine Myrup was selected from over eighty international artists that applied for a one person exhibition at Apartment during our recent call for submissions. Martine Myrup is a Danish artist who graduated from Glasgow School of Art in 2002. Her recent shows include In Ruins in Melbourne, Sidekick in Nottingham and Maid of Corinth in Market Gallery, Glasgow. Peculiar Flight; her first artist book was published in April; she is currently working on an animation for the Centre for Contemporary Art in Glasgow. For more information on this artist please visit www.myrup.co.uk
Martine Myrup’s work strives to reflect her interest in the fleeting moment, and in the idea that in order to build, something must be destroyed.
Myrup’s focus is on natural history and literature concerned with polar explorations. In her search for geographical metaphors, she reveals the moments between the scientific and the personal descriptions of mans’ often futile attempt to fill the void. Her starting point is often a wish to react to a specific location; the white walls of a gallery transformed into a vast snowy background, the interior of an old mansion house becomes the site for an unfolding hidden narrative. While striving to incorporate what is already present; small signs of decay, flaws and traces of other events, she adds another layer which hints at an alternative narrative.
Domestic Disturbances utilizes Apartment as a backdrop for small interventions. Rather than adding more “stuff” to the world, Myrup merely re-works what is already there. By using everyday, non precious materials, she appropriates what is to hand in an attempt to bring the void closer and domesticate it, by doing so her discreet interventions turn the mundane into
the epic.

Martine Myrup’s work strives to reflect her interest in the fleeting moment, and in the idea that in order to build, something must be destroyed.
Myrup’s focus is on natural history and literature concerned with polar explorations. In her search for geographical metaphors, she reveals the moments between the scientific and the personal descriptions of mans’ often futile attempt to fill the void. Her starting point is often a wish to react to a specific location; the white walls of a gallery transformed into a vast snowy background, the interior of an old mansion house becomes the site for an unfolding hidden narrative. While striving to incorporate what is already present; small signs of decay, flaws and traces of other events, she adds another layer which hints at an alternative narrative.
Domestic Disturbances utilizes Apartment as a backdrop for small interventions. Rather than adding more “stuff” to the world, Myrup merely re-works what is already there. By using everyday, non precious materials, she appropriates what is to hand in an attempt to bring the void closer and domesticate it, by doing so her discreet interventions turn the mundane into
the epic.
Below a closer view.

Martine Myrup
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